{"id":13958,"date":"2022-07-03T08:00:00","date_gmt":"2022-07-03T06:00:00","guid":{"rendered":"https:\/\/www.obloaps.it\/quasi\/?page_id=13958"},"modified":"2022-07-06T22:14:52","modified_gmt":"2022-07-06T20:14:52","slug":"post-it-luglio-2022","status":"publish","type":"page","link":"https:\/\/www.obloaps.it\/quasi\/post-it-luglio-2022\/","title":{"rendered":"Post-it: Luglio 2022"},"content":{"rendered":"\n

In agosto QUASI non esce. Questo post-it raccoglie, come succede da qualche mese, i consigli per gli acquisti di Paolo che cerca di farsi aiutare inutilmente da quei cialtroni di Boris e soprattutto Claudio (che ha avuto l\u2019idea e poi si \u00e8 allontanando dicendo che aveva lasciato le bambole dal parrucchiere). In realt\u00e0 alla fine \u00e8 la lista della spesa appiccicata al frigorifero e, siccome QUASI, ormai da tradizione consolidata, in agosto \u00e8 in vacanza, quella lista, questa volta rimarr\u00e0 l\u00ec per un paio di mesi.<\/em><\/p>\n\n\n\n

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L\u20198 luglio esce il nuovo cinepattone Marvel. Tributo ai film di supereroi la medesima rilevanza intellettuale e culturale che meritano i serramenti in alluminio anodizzato. Non ne direi nulla se non fosse che questo si chiama Thor: Love & Thunder<\/em> e l\u2019adolescente ch\u2019entro mi rugge continua a storpiare quel titolo: Love & Tinder<\/em>!<\/p>\n\n\n\n

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Il 12 luglio la casa editrice canadese Drawn & Quarterly mi rende felice con un volume che avrei dovuto attendere con ansia. Yamada Murasaki<\/strong> \u00e8 una delle figure pi\u00f9 importanti del fumetto alternativo giapponese. Roba da \u201cGaro\u201d, una rivista di cui, da qualche parte<\/a>, ti ho raccontato la storia. Talk to my back, <\/em>tradotto da Ryan Holmberg dovremmo esigerlo anche in italiano. Ti riporto la presentazione dell\u2019editore:
\u00abA celebrated masterwork shimmering with vulnerability from one of alt-manga\u2019s most important female artists. \u201cNow that we\u2019ve woken from the dream, what are we going to do?\u201d, Chiharu thinks to herself, rubbing her husband\u2019s head affectionately. Set in an apartment complex on the outskirts of Tokyo, Murasaki Yamada\u2019s Talk to My Back (1981\u201384) explores the fraying of Japan\u2019s suburban middle-class dreams through a woman\u2019s relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada remains generous with the characters who fetter her protagonist. When her husband has an affair, Chiharu feels that she, too, has broken the marital contract by straying from the template of the happy housewife. Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family\u2015as fears of having been \u201cthrown away inside that empty vessel called the household\u201d gnaw at Chiharu\u2019s soul. Yamada was the first cartoonist in Japan to use the expressive freedoms of alt-manga to address domesticity and womanhood in a realistic, critical and sustained way. A watershed work of literary manga, Talk to My Back was serialised in the influential magazine Garo in the early 1980s, and is translated by Eisner-nominated Ryan Holmberg. Yamada Murasaki (1948\u20132009) debuted as a cartoonist in 1969. Informed by her upbringing\u2015she was raised mainly by her grandmother\u2015and a background in design and poetry, Yamada\u2019s early work was unique in form and content, offering realistic portraits of young women negotiating complicated family situations and the passage to adulthood. In the late \u201870s, after having a family of her own, her work shifted to young mothers negotiating children, husbands and the balance between social responsibilities as a housewife and self-respect as a woman. Yamada published manga in practically every issue of Garo from 1978 to 1986, and is considered the first cartoonist to use the artistic freedoms of alternative manga to explore motherhood and domesticity with an unromantic eye.\u00bb<\/em><\/p>\n\n\n\n

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In Italia queste storie brevi scritte da Emmanuel Guibert<\/strong> e disegnate da Joann Sfar<\/strong> sono uscite in alcuni volumetti Mondadori che riproducevano il formato dell\u2019edizione Bayard. L\u20198 agosto esce per Dargaud Sardine de l’espace Compilation, 256 pagine a colori per una dozzina di euro che raccolgono le 25 storie realizzate dalla coppia Guibert \/ Sfar (i primi otto volumetti Bayard sostanzialmente). Da l\u00ec in avanti Sfar si sfiler\u00e0 e la serie cambier\u00e0 registro e impianto (perdendo un sacco di mordente).<\/p>\n\n\n\n