{"id":11604,"date":"2022-01-15T08:00:00","date_gmt":"2022-01-15T07:00:00","guid":{"rendered":"https:\/\/www.obloaps.it\/quasi\/?p=11604"},"modified":"2022-01-10T09:24:24","modified_gmt":"2022-01-10T08:24:24","slug":"view-master-diario-di-un-anno-difficile-1","status":"publish","type":"post","link":"https:\/\/www.obloaps.it\/quasi\/2022\/01\/15\/view-master-diario-di-un-anno-difficile-1\/","title":{"rendered":"View-master: Diario di un anno difficile \/ 1"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/01.Amanita.jpeg\" alt=\"\" class=\"wp-image-11605\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/01.Amanita.jpeg 1024w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/01.Amanita-300x202.jpeg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/01.Amanita-768x518.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Amanita Muscaria. Raccolta di funghi, 1964. Scansione da una diapositiva Kodachrome originale da 35 mm.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"414\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/02.Donna_.jpeg\" alt=\"\" class=\"wp-image-11606\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/02.Donna_.jpeg 600w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/02.Donna_-300x207.jpeg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption>Una donna attaccata da tre suprematiste bianche per aver sostenuto i manifestanti neri in una spiaggia segregata, Florida 1964.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"639\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/03.Coppia.jpeg\" alt=\"\" class=\"wp-image-11607\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/03.Coppia.jpeg 1000w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/03.Coppia-300x192.jpeg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/03.Coppia-768x491.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption>Coppia su una panchina, 1946 (foto di Stanley Kubrick per la rivista &#8220;Look&#8221;).<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"974\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/04.Eaton_.jpeg\" alt=\"\" class=\"wp-image-11608\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/04.Eaton_.jpeg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/04.Eaton_-296x300.jpeg 296w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/04.Eaton_-768x779.jpeg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption>Shirley Eaton e il truccatore sul set di &#8216;Goldfinger&#8217;, 1964.\u00a0<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"993\" height=\"700\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/05.Settembre58.jpeg\" alt=\"\" class=\"wp-image-11609\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/05.Settembre58.jpeg 993w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/05.Settembre58-300x211.jpeg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/05.Settembre58-768x541.jpeg 768w\" sizes=\"(max-width: 993px) 100vw, 993px\" \/><figcaption>Settembre 1958. Donna seduta sui bagagli al Grand Central Terminal, NY (foto di Anthony Rizzuto).<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"641\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-1024x641.jpeg\" alt=\"\" class=\"wp-image-11610\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-1024x641.jpeg 1024w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-300x188.jpeg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-768x481.jpeg 768w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-1536x961.jpeg 1536w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-2048x1282.jpeg 2048w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/06.Takegawa-464x290.jpeg 464w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Maiko Takegawa, Maiko Tomeko e Maiko Satogiku posano per una fotografia nel 1928.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"800\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice-1024x800.jpeg\" alt=\"\" class=\"wp-image-11611\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice-1024x800.jpeg 1024w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice-300x234.jpeg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice-768x600.jpeg 768w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice-1536x1200.jpeg 1536w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/07.Ispettrice.jpeg 1902w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>07. Ispettrice dello Champagne con maschera, 1916.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"655\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/08.Bellon.jpeg\" alt=\"\" class=\"wp-image-11612\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/08.Bellon.jpeg 500w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2022\/01\/08.Bellon-229x300.jpeg 229w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption>Denise Bellon: Gruppo di surrealiste con maschere, Francia, anni Cinquanta-Sessanta.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"Amanita Muscaria. Raccolta di funghi, 1964. Scansione da una diapositiva Kodachrome originale da 35 mm. 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