{"id":2488,"date":"2020-09-12T08:00:00","date_gmt":"2020-09-12T06:00:00","guid":{"rendered":"http:\/\/www.obloaps.it\/quasi\/?p=2488"},"modified":"2020-11-21T14:28:39","modified_gmt":"2020-11-21T13:28:39","slug":"view-master-14","status":"publish","type":"post","link":"https:\/\/www.obloaps.it\/quasi\/2020\/09\/12\/view-master-14\/","title":{"rendered":"View-master &#8211; 14"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"822\" height=\"497\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/01.-Una-coppia-in-una-cabina-fotografica-anni-60..jpg\" alt=\"\" class=\"wp-image-2489\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/01.-Una-coppia-in-una-cabina-fotografica-anni-60..jpg 822w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/01.-Una-coppia-in-una-cabina-fotografica-anni-60.-300x181.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/01.-Una-coppia-in-una-cabina-fotografica-anni-60.-768x464.jpg 768w\" sizes=\"(max-width: 822px) 100vw, 822px\" \/><figcaption>Una coppia in una cabina fotografica, anni &#8217;60.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"498\" height=\"750\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/02.-Samuel-Beckett-da-nessuna-parte-in-nessun-luogo.-Foto-di-Barbara-Bray..jpeg\" alt=\"\" class=\"wp-image-2490\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/02.-Samuel-Beckett-da-nessuna-parte-in-nessun-luogo.-Foto-di-Barbara-Bray..jpeg 498w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/02.-Samuel-Beckett-da-nessuna-parte-in-nessun-luogo.-Foto-di-Barbara-Bray.-199x300.jpeg 199w\" sizes=\"(max-width: 498px) 100vw, 498px\" \/><figcaption>Samuel Beckett da nessuna parte, in nessun luogo. Foto di Barbara Bray.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"763\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/03.Grigori-Rasputin-con-i-suoi-seguaci-Russia-1914.jpg\" alt=\"\" class=\"wp-image-2491\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/03.Grigori-Rasputin-con-i-suoi-seguaci-Russia-1914.jpg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/03.Grigori-Rasputin-con-i-suoi-seguaci-Russia-1914-300x238.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/03.Grigori-Rasputin-con-i-suoi-seguaci-Russia-1914-768x610.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption>Grigori Rasputin con i suoi seguaci, Russia, 1914<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/04-.-Martin-Landau-ventiduenne-quando-lavorava-come-fumettista-editoriale-per-il-New-York-Daily-News.-New-York-1950..jpg\" alt=\"\" class=\"wp-image-2492\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/04-.-Martin-Landau-ventiduenne-quando-lavorava-come-fumettista-editoriale-per-il-New-York-Daily-News.-New-York-1950..jpg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/04-.-Martin-Landau-ventiduenne-quando-lavorava-come-fumettista-editoriale-per-il-New-York-Daily-News.-New-York-1950.-300x200.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/04-.-Martin-Landau-ventiduenne-quando-lavorava-come-fumettista-editoriale-per-il-New-York-Daily-News.-New-York-1950.-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption>Martin Landau, ventiduenne, quando lavorava come fumettista per il New York Daily News. New York, 1950.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"1001\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/05.Manifestanti-pro-pornografia-in-S-State-Street-Chicago-1974.jpg\" alt=\"\" class=\"wp-image-2493\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/05.Manifestanti-pro-pornografia-in-S-State-Street-Chicago-1974.jpg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/05.Manifestanti-pro-pornografia-in-S-State-Street-Chicago-1974-288x300.jpg 288w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/05.Manifestanti-pro-pornografia-in-S-State-Street-Chicago-1974-768x801.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption>Manifestanti pro-pornografia in State Street, Chicago, 1974.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/06.-Charlotte-Rampling-Jean-Michel-Jarre-e-Yves-Boisset-al-Festival-di-Cannes-1977..jpg\" alt=\"\" class=\"wp-image-2494\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/06.-Charlotte-Rampling-Jean-Michel-Jarre-e-Yves-Boisset-al-Festival-di-Cannes-1977..jpg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/06.-Charlotte-Rampling-Jean-Michel-Jarre-e-Yves-Boisset-al-Festival-di-Cannes-1977.-300x200.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/06.-Charlotte-Rampling-Jean-Michel-Jarre-e-Yves-Boisset-al-Festival-di-Cannes-1977.-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><figcaption>Charlotte Rampling, Jean Michel Jarre e Yves Boisset al Festival di Cannes, 1977.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"843\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/07.-Animator-Hayao-Miyazaki-at-his-studio-in-Musashino-Tokyo-1989.jpg\" alt=\"\" class=\"wp-image-2495\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/07.-Animator-Hayao-Miyazaki-at-his-studio-in-Musashino-Tokyo-1989.jpg 640w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/07.-Animator-Hayao-Miyazaki-at-his-studio-in-Musashino-Tokyo-1989-228x300.jpg 228w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption>Hayao Miyazaki nel suo studio in Musashino, Tokyo, 1989.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"749\" height=\"533\" src=\"http:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/08.-Louis-Armstrong-autografa-un-punk-francese-1961.jpg\" alt=\"\" class=\"wp-image-2496\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/08.-Louis-Armstrong-autografa-un-punk-francese-1961.jpg 749w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/08.-Louis-Armstrong-autografa-un-punk-francese-1961-300x213.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/09\/08.-Louis-Armstrong-autografa-un-punk-francese-1961-322x230.jpg 322w\" sizes=\"(max-width: 749px) 100vw, 749px\" \/><figcaption>Louis Armstrong autografa un punk francese, 1961.<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"Una coppia in una cabina fotografica, anni '60. Samuel Beckett da nessuna parte, in nessun luogo. Foto di Barbara Bray....","protected":false},"author":7,"featured_media":247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87],"tags":[],"coauthors":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>View-master - 14 - (Quasi)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.obloaps.it\/quasi\/2020\/09\/12\/view-master-14\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"View-master - 14 - (Quasi)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.obloaps.it\/quasi\/2020\/09\/12\/view-master-14\/\" \/>\n<meta property=\"og:site_name\" content=\"(Quasi)\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/quasifumetti\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-12T06:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-21T13:28:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2020\/05\/view-master.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"320\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Alessandra Falca\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alessandra Falca\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.obloaps.it\/quasi\/2020\/09\/12\/view-master-14\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.obloaps.it\/quasi\/2020\/09\/12\/view-master-14\/\"},\"author\":{\"name\":\"Alessandra Falca\",\"@id\":\"https:\/\/www.obloaps.it\/quasi\/#\/schema\/person\/d8ccd968d550e93088997b42173320f8\"},\"headline\":\"View-master &#8211; 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