{"id":2997,"date":"2020-10-13T08:00:00","date_gmt":"2020-10-13T06:00:00","guid":{"rendered":"http:\/\/www.obloaps.it\/quasi\/?p=2997"},"modified":"2021-11-18T14:50:26","modified_gmt":"2021-11-18T13:50:26","slug":"diverso","status":"publish","type":"post","link":"https:\/\/www.obloaps.it\/quasi\/2020\/10\/13\/diverso\/","title":{"rendered":"Diverso"},"content":{"rendered":"\n

di Sualzo<\/strong><\/p>\n\n\n\n

“Mono” era una rivista monotematica \u2013 appunto \u2013 edita da Tunu\u00e9 dove, con cadenza periodica, una trentina di autori (non sempre gli stessi) affrontavano un tema dato e cercavano di raccontarlo avendo a disposizione una e solo una tavola. L\u2019idea era carina e, quando riusciva, era anche un bell\u2019esempio della potenza unica del fumetto: vedere quante cose si possono raccontare in una sola pagina. L\u2019alternanza tra nomi affermati e giovani speranze rappresentava bene l\u2019idea di vivaio che da sempre la Tunu\u00e9 ha portato avanti.<\/p>\n\n\n\n

Nel numero 10, del novembre 2011, fui invitato anche io a cercare di dire qualcosa a fumetti sul tema \u201cdiverso\u201d. Non era mica un tema facile, la paura della retorica era fortissima e ci misi un bel po\u2019 prima di capire cosa fare. L\u2019impulso di impartire la lezioncina, con certi temi viene quasi automatico e bisogna esser lucidi per respingerlo gi\u00f9. Quando mi trovo in queste pastoie, io di solito ricorro a quel consiglio che sa tanto di scuola di scrittura creativa e che per il nobel Kazuo Ishiguro \u00e8 il peggior consiglio che si possa dare: scrivi solo di ci\u00f2 che conosci. Con me, per\u00f2, ha sempre funzionato.<\/p>\n\n\n\n

Quindi quella che vedete sotto \u00e8 una paginetta nella quale ci sono io, il camper e il canotto di Big Jim, il super Tele e la mia adorata numero 8, macchina a pedali con la quale ho percorso centinaia di km nel mio giardino e il primo amico di cui abbia memoria.<\/p>\n\n\n\n

\u00c8 una tavola fatta interamente a grafite (ero appena uscito dalle 120 pagine di \u201cFiato sospeso\u201d, fatte tutte a matita carboncino) con qualche grigio rinforzato da pennellate digitali, nella quale cerco di domandarmi da dove viene l\u2019esigenza di riconoscere il diverso come tale.<\/p>\n\n\n\n

Io che come tutti ho fantasticato di esser diverso, sapendo di esser ben protetto dal mio non essere affatto diverso.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

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