{"id":6538,"date":"2021-02-20T16:00:00","date_gmt":"2021-02-20T15:00:00","guid":{"rendered":"https:\/\/www.obloaps.it\/quasi\/?p=6538"},"modified":"2021-02-15T23:45:18","modified_gmt":"2021-02-15T22:45:18","slug":"playlist-lamour-la-concierge","status":"publish","type":"post","link":"https:\/\/www.obloaps.it\/quasi\/2021\/02\/20\/playlist-lamour-la-concierge\/","title":{"rendered":"Playlist: L\u2019amour, la concierge"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" src=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2021\/02\/portiere-1.jpg\" alt=\"\" class=\"wp-image-6540\" srcset=\"https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2021\/02\/portiere-1.jpg 960w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2021\/02\/portiere-1-300x200.jpg 300w, https:\/\/www.obloaps.it\/quasi\/wp-content\/uploads\/2021\/02\/portiere-1-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/figure><\/div>\n\n\n\n<p><strong>#1<\/strong><\/p>\n\n\n\n<p>Nel 1956 <strong>Edith Piaf<\/strong>, con quella voce che pu\u00f2 andare ovunque, incide negli Stati Uniti <em>Soudain, une vall\u00e9e<\/em>, un 45 giri che contiene quattro pezzi, come si usava allora. Nel disco ci sono due cover in francese di canzoni americane e due brani scritti proprio per quell\u2019incisione. Uno dei due racconta di una barista che porta da bere alle coppie che vanno in quell\u2019albergo da poco a fare l\u2019amore: a un certo punto ne arrivano <em>Les Amants d&#8217;un jour<\/em> e tu lo sai bene con chi va sempre a spasso Eros. [PI]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Edith  Piaf       -       Les Amants D&#039; Un Jour\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/t9RbvsfP0n8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#2<\/strong><\/p>\n\n\n\n<p>Tre anni dopo <strong>Herbert Pagani<\/strong> volge quel testo in italiano. Nel giro di un paio di anni <em>Albergo a ore<\/em>, col suo carico di tragedia impossibile da disinnescare quasi fosse una bomba a tempo, entra nel repertorio di <strong>Gino Paolo<\/strong>, <strong>Ornella Vanoni<\/strong>, <strong>Milva<\/strong> e <strong>Marcella Bella<\/strong>. Poi prosegue la sua corsa con una serie di parodie e reinterpretazioni. <strong>Leopoldo Mastelloni<\/strong> racconta la tragedia dei due amanti in napoletano. L\u2019albergo \u00e8 l\u2019hotel Syrena. [PI]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"mastelloni-albergo a ore-\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/pKiYR6RpPCU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#3<\/strong><\/p>\n\n\n\n<p>A raccontare amore e portinerie ci sono, per fortuna, anche canzoni allegre. Nel 2001, in <em>S\u00e9mm partii<\/em>, <strong>Davide Van de Sfroos<\/strong> incide <em>Grand Hotel<\/em>, che racconta un albergo di gran lusso e il suo ecosistema sgangherato. Tutti figli di una scalinata all\u2019ombra della quale succede normalmente la vita. Copio un pezzo del testo solo perch\u00e9 mi piace leggere quelle parole scritte in una lingua che sente di lago. \u00abS\u00e8mm t\u00fccc fi\u00f6\u00f6 de questa scalinada \/ Che urmai cugnussum bas\u00e8ll per bas\u00e8ll \/ T\u00fccc bei vestii cum\u00e8 suldaritt de t\u00f2la \/ Cun&#8217;t el baret\u00e9n de st\u00fcpid e quaiv\u00f6n cun&#8217;t el gel \/ E i turisti cun la b\u00f9ca sbarat\u00e0da \/ Quand che r\u00fcven s\u00f6 la porta de entr\u00e0da \/ E me una quaj val\u00ecsa l&#8217;ho purt\u00e0da \/ Una quaj mancia l&#8217;ho ciap\u00e0da \/ al Grand Hotel\u00bb. [PI]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Grand Hotel - Davide Van De Sfroos [ORIGINALE]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/-lxo1OlVRHw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#4<\/strong><\/p>\n\n\n\n<p><strong>Sofia Coppola<\/strong> ha diretto un film d\u2019amore negato ambientato quasi esclusivamente in un hotel, <em>Lost in translation<\/em>. A un certo punto, in questo gioco irrisolto, i due protagonisti si ritrovano in mezzo a una festa con karaoke e un pezzo del dialogo e della seduzione viaggia sulle parole di altri. E in questo contesto, privo degli arrangiamenti Farfisa anni Ottante e della dentatura in bella mostra di <strong>Brian Ferry<\/strong>, riesco addirittura ad amare <em>More Than This<\/em>. [PI]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lost in Translation | Scarlett Johansson &amp; Bill Murray&#039;s Wild Night in Tokyo\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XPKO7C543ls?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#5<\/strong><\/p>\n\n\n\n<p>C\u2019\u00e8 stato un tempo in cui <strong>Enrico Ruggeri<\/strong> lo si poteva persino ascoltare. Una sua canzone, poi, si inquadra perfettamente nel tema di amore e portinerie\u2026<br>\u00c8 proprio un portiere d\u2019albergo che racconta la monotonia del suo lavoro (\u00absapeste che pena \/ per chi organizza la scena \/ restare dietro al banco \/ come un cane con la sua catena\u00bb) e la sua ossessione per una bellissima donna bionda, accompagnata sempre da uomini diversi, che si rivolge a lui solo per chiedergli da bere. Un\u2019ossessione che lo porta a sognare che la donna si accorga finalmente di quell\u2019oscuro portiere di notte, a fantasticare di scappare lontano con lei, per costruire assieme una nuova vita. [FB]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Enrico Ruggeri   Il portiere di notte\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/a_Y2PI703nI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#6<\/strong><\/p>\n\n\n\n<p>Ho un rapporto controverso con <strong>Renato Zero<\/strong>. Preferisco non far sapere che, per certi versi, mi piace e, per alcuni, addirittura lo stimo. Ma visto che questa canzone \u00e8 perfettamente in tema con l&#8217;amore e la portineria, vengo allo scoperto. [BB]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Renato Zero - ANGELINA\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PvVSbtYt0VA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#7<\/strong><\/p>\n\n\n\n<p>Ma bando alle ciance e sprofondiamo nella turpitudine. Che ne dite di questa versione della <strong>Ramplig<\/strong> di quel gioiello che \u00e8 <em>Wenn ich mir was w\u00fcnschen d\u00fcrfte<\/em> della <strong>Dietrich<\/strong> in <em><a href=\"https:\/\/www.youtube.com\/watch?v=duPV6WYEoI8&amp;feature=youtu.be\">Il portiere di notte<\/a><\/em>? [BB]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Charlotte Rampling WENN ICH MIR WAS W\u00dcNSCHEN D\u00dcRFTE\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BjNEhFHX3k4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#8<\/strong><\/p>\n\n\n\n<p>E&#8217; il 1980, e a Sanremo, vestita da una camicina, piomba <strong>Lio<\/strong> con la sua <em>Amoureux solitaire<\/em>. Una canzone nichilista cantata con l&#8217;allegria di una bambina alla festa delle medie. Eppure gli innamorati solitari sono in una \u00abville morte\u00bb, una citt\u00e0 morta, e \u00abdimmi che mi ami, anche se \u00e8 una bugia, la vita \u00e8 cos\u00ec triste!\u00bb Forse c&#8217;\u00e8 pi\u00f9 punk nello spirito di questa canzoncina di quel che sembra: infatti ne facemmo una cover punk tanti anni fa, e reggeva benissimo. Che la vita abbia l&#8217;aria di un film perfetto! [AS]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lio - Amoureux Solitaires - (1980) Lyrics\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/tzeZdgjyHfc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#9<\/strong><\/p>\n\n\n\n<p>Come dice <strong>Roland Barthes<\/strong> da qualche parte, il discorso sull&#8217;amore \u00e8 complicato anche da quanto ridonda e rimbomba, fino a perdere apparentemente di senso, la parola amore. Tanto che, forse anche per difenderla, sarebbe meglio storpiarla un po&#8217;. Ecco, lasciamolo fare ai <strong>Rammstein<\/strong>, una band di storpiatori professionali, dal nome (raddoppio di una consonante nel nome di una localit\u00e0 dove aerei &#8211; acrobatici &#8211; italiani mieterono decine di vittime nell&#8217;86) alle <em>mises<\/em>, alle chitarre fatte con la roba pi\u00f9 stronza del Guitar Rig, al sauer-mix crucchissimo che fa sembrare tutto parente dello Schlager. Non so se va in difesa dell&#8217;amore ma mi piaceva parecchio, come diverse altre cose nell&#8217;album <em>Reise Reise<\/em>. [LC]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rammstein - Amour (Official Audio)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7z5U-mAQzDk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#10<\/strong><\/p>\n\n\n\n<p>Tra la gente pi\u00f9 colpita dall&#8217;amore e le sue varianti e, allo stesso tempo, in grado di non farsi troppi problemi, ci sono i ragazzini. Questo pezzo dei <strong>The Subways<\/strong> \u00e8 perfetto, dritto, netto, il sole, solo tu, piccola regina rock&#8217;n&#8217;roll, il cuore blue, tutto assoluto, tutto perfetto. L&#8217;effetto \u00e8 duraturo, lo canti a squarciagola anche quando le decadi iniziano a impilarsi. Ricordi associati: il pub dove, a turno, facevamo i dj in cambio di bevute senza limiti fino a chiusura. Giuro che ho sempre compilato il <em>bordereau <\/em>della SIAE, o almeno, questo \u00e8 quel che mi pare di ricordare. [LC]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Subways - Rock &amp; Roll Queen - Official Video\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/lLZvJ_rtZO8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#11<\/strong><\/p>\n\n\n\n<p>Alla fine dell&#8217;album <em>Let Love In<\/em> del 1994 si trova questo reprise &#8211; andava bene anche scegliere la parte 1, ma questo ha qualcosa di particolare in pi\u00f9, di arreso, di finale, come quando le luci si sono accese brutalmente a sancire la fine della serata nel locale in cui solo l&#8217;ombra proteggeva dalla sensazione di magazzino disperato in periferia (o di cantinaccia in centro). Cos\u00ec esci, \u00e8 inverno, fa freddo e pensi a quanto non ti piace il mondo deteriorato in cui vivi, a quanto non ti piaci tu e alla persona alla quale, invece, vorresti proporre quel <em>Do You Love Me?<\/em> Nel pezzo non c&#8217;\u00e8 risposta, solo insistenza &#8211; l&#8217;interlocutrice, decisamente, non pare essere l\u00ec. [LC]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Do You Love Me? (Part 2) (2011 Remastered Version)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/rzzTvWockkY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#12<\/strong><\/p>\n\n\n\n<p>E niente, un pezzo ben pi\u00f9 che bello, scritto e arrangiato divinamente, ingegnoso ed elegante, con tutto giusto al punto giusto. Se gi\u00e0 non sei innamorato ti innamori di <strong>Polly Jean<\/strong>, garantito. Non c&#8217;\u00e8 da scrivere molto, si rischia di fare del cicaleccio inutile. Volume alto, mi raccomando. [LC]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"PJ Harvey, John Parish - Black Hearted Love\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/AupNf6DOaPg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#13<\/strong><\/p>\n\n\n\n<p>Non ho mai tradotto esattamente il testo di questa canzone di <strong>George Brassens<\/strong>, sono sempre rimasto ipnotizzato dai suoni delle erre e delle ci che si concatenano nel ritornello, godendone incredibilmente e fermandomi l\u00ec. Ma ho capito almeno che parla di amanti e di panchine pubbliche. [FP]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Georges Brassens - Les amoureux des bancs publics\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PMtFfPbcPLM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#14<\/strong><\/p>\n\n\n\n<p>E visto che \u00e8 la playlist degli amori segreti messi a nudo, calo senza vergogna un pezzo dal primo bellissimo disco di <strong>Carla Bruni<\/strong>. [FP]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"11 - Carla Bruni - L&#039;amour\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/mqj-PmUL9CU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>#15<\/strong><\/p>\n\n\n\n<p>Ho sempre pensato non ci fosse modo migliore per esprimere il concetto, che questo di <strong>Paolo Conte<\/strong>: \u00abIo e te, forse qualcuno ci avr\u00e0 pure presentati \/ e abbiamo usato un taxi, pi\u00f9 un telefono, pi\u00f9 una piazza. \/ Io e te, scaraventati dall\u2019amore in una stanza \/ mentre tutto intorno \u00e8 pioggia, pioggia, pioggia \/ e Francia\u00bb. [FP]<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Parigi\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/EdKuT7IHu3w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>#1 Nel 1956 Edith Piaf, con quella voce che pu\u00f2 andare ovunque, incide negli Stati Uniti Soudain, une vall\u00e9e, un&#8230;<\/p>\n","protected":false},"author":6,"featured_media":6541,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[528],"tags":[2320,2319,2323,2317,2314,849,2322,2315,2337,2316,293,686,689,2121,2335,2321,1672,2318,2336],"coauthors":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - 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